Hi Everyone  
                 Welcome to .... 

Email Georgina at
georgina@theworkshop.net

Georgina King's  Room Service!
Phone 604-948-0234
 

Workshops and Home Shows

Cards

Cloud Painting

Create "Etched" Glass

Deciding on New Paint Colours

Fabric Painting

Faux Tiled Backsplash Using Stone FX:

Floor Painting

Gift Bags

Old terracotta pots into works of art.

Painting onto a glass table top

Placemats and floor mats

Plaster through stencils

Relief Stencilling

Striping Tips

Table Linens

Washed

Wrapping Paper



No, no, no it's not what you think - this is room service with a twist. On a regular basis I will be sharing tips on decorative painting, and maybe decorating in general sometimes, and helping you transform your rooms with little effort. We'll discuss walls, furniture, fabric, the outside of your homes - in fact anything and everything that we can freshen up with a little creativity.

I have been a decorative painter for several years now and boy are things getting easier with the advent of user-friendly materials. I have been lucky enough to have worked in all aspects of my trade - I teach workshops, do stage demonstrations, contract work and have been featured on radio and television and at the Home Show. There's never a dull moment (specially when sharing a stage with Fred and Gerry - but more about them later!). The best thing is that I've been able to travel with my trade and therefore have met lots of interesting characters (yes Fred, yes Gerry, just like you!) and seen what's happening across Canada and the U.S.  




This Month's Tip from Georgina........

April:


Thank you to all of you who watched the segment on VTV last Friday and
apologies to those of you who searched the site looking for the backsplash
instructions - they weren't there!

Anyway, here they are now!

FAUX TILED BACKSPLASH USING STONE FX:

1. Mask your cupboards, appliances, etc. that surround the area to be
"tiled".

2. Paint the wall in a solid colour preferably in a latex eggshell. If
you are going over existing paint which is oil-based then prime first with
BIN. BIN is available at most paint stores and has a 45 minute re-coat time
which is wonderful. The solid colour that you paint your wall will
eventually be your "grout" lines so choose it carefully.

3. Let dry overnight and then measure and mark with a pencil the size
you wish your tiles to be (I had 6" tiles). Using quarter-inch painters
tape and your pencil marks as a guide, tape the wall into "tiles". Leave a
couple of inches spare to enable easy peeling off at the end of the project.


4. Ladle some Natural Stone fX (by Adicolor and available at General
Paint Decor Stores) into a paint tray and work the Stone fX into the roller
(you will want the roller to be quite full). Carefully roll the Stone fX
over the wall (I say carefully as it will "spit" at you if you're too
energetic!). Use a paint scraper to get the stone into the corners of the
walls. While the stone is still wet, play with the surface but flattening
out some areas with a paint scraper or even sponge it with a natural sea
sponge (damp) to create a rougher look. A combination of both looks very good.

5. Let dry overnight.

6. If you want to add a relief stencil at this stage, do so by
trowelling some additional stone through a stencil but avoid going over the
grout lines.

7. Let dry overnight.

8. Now is the time to add your colour to the stone. For this I used
three different coloured glazes. I took one-part eggshell latex paint and
added it to three parts Wet Edge Plus Glaze (also by Adicolor and available
at General Paint Decor Stores). With regular paint brushes, brush on three
colour separately and then spend a bit of time mingling the colours
together. The glazes will seep quite quickly into the stone which is quite
porous to do concentrate (don't answer the phone!). If your colours are
looking a bit washed out, let dry and repeat.

9. Remove the quarter-inch tape and Voila! there you have your tile!
At this point, touch-up any white areas with your glaze colour.


10. Let dry overnight and then you're ready to topcoat. For a flat,
rough-looking finish I would suggest Adicolors DFV (Dead Flat Varnish) - 2
or 3 coats - or use a urethane such as Benjamin Moore's Stays Clear (water
based) or, for areas that will require lots of cleaning, Varathane's
oil-based finish. The latter two topcoats come in various sheens - avoid
going too shiny, it detracts from the stone look.

TIPS:

1. Do up a sample board first - it may save some agonizing!
Particularly practice with your glaze colours - they can be deceiving.

2. Stone fX is a permanent material. Should you think that you'll tire
of the look at some point, take the extra time to lay down a wallpaper liner
first. Then, when the time comes to remove your tile, you'll just have to
thoroughly soak the area and remove it. Mind you, you'll have done such a
wonderful job that you'll never want to remove it!!

Hope these instructions are clear, if not don't hesitate to e-mail me at:

georgina@theworkshop.net Bye for now!

March:

Hello everyone - sorry I've been missing for a while - it's been the season of shows and I don't seem to have found the time to sit down and string two words together, let alone two sentences! I've also had a friend here for a week who I hadn't seen for over 20 years so I dragged her along to a couple of shows and now she feels inspired to go home and try some of the techniques I demonstrated!

Last month I mentioned I was going down to Anaheim - well that went very well although the convention was definitely hobby-oriented - the U.S. seems to be obsessed with Memory Scrap Books at the moment - can you tell me how people find the time to put such elaborate things together? All my kids will end up with are a couple of boxes full of stuff that I've thrown in them over the years!

It was nice though to talk to the various paint companies down there - all of whom were anxious for us to try out their product - so that's exactly what I'm doing. I was especially interested in glass paint so when I've finished messing around with it I'll share my experiments with you.

Before I get to my project of the month, I would like to mention that although we keep getting conned into thinking that Spring has Sprung, it is still too soon to start any outdoor painting. Please wait until the temperature has reached a steady 10 degrees before attempting to do a decent paint job or you just may end up tearing your hair out when your paint starts peeling off! (Believe me, I've done it!!).

Anyway, at the B.C. and Fraser Valley Home Shows I was using a wonderful decorative product called "Stone fX" made by Adicolor, the Toronto-based company who makes the Wet Edge Plus Latex Glaze that I'm addicted to! I was demonstrating how to use it in wall effects, such as faux tile, but thought, seeing how Spring is supposed to be on its way, that I'd share how to
Transform boring
old terracotta (or plastic come to that) pots into works of art.

1. If using old pots, make sure you have thoroughly cleaned and dried them.

2. Using BIN - a superior primer by Zinsser that will stick to absolutely anything and available at paint stores - coat the outside and part-way down the inside of the pot.

3. Allow BIN to dry - around 45 minutes - then apply the Stone fX with a roller or trowel over and around the pot. This is a very messy job so make sure your work surface is covered well! You may also have to apply the Stone fX in stages. Once this is dry, take a stencil of your choice (Buckingham Stencils' Cave Art series is great for this technique), tape the stencil in place and trowel some more Stone fX through the stencil.

4. When all of the stone is dry, mix some glazes to the colours of your choice by mixing one part paint into 2 parts Wet Edge Plus Glaze and, using regular household paint brushes, brush the glazes over the stone. (Terracotta, Yellow Ochre and Dark Brown work really well).

5. Allow to completely dry - do not allow to get wet for a couple of weeks - then plant them or give as gifts.

January:
H
appy New Year Everyone! The festive season certainly came and went in a hurry didn't it? Most of my family were down with a dreadful flu for most of it so felt cheated and I felt cheated as no-one was helping me shop, wrap, clean, etc.! Oh well, we all survived.

Usually January is a very quiet month in my industry but I seem to be exceptionally busy. It's funny how things come in cycles - right now I have four tables in my workshop waiting for makeovers - I haven't worked on furniture for ages and all of a sudden I don't know where to put it all! Actually it's quite fun as a couple of them are from a care facility where I work quite regularly - they want me to paint checker boards on them so that the residents can use them usefully as well as being side tables.

Am off to Anaheim at the end of the month to work in a Projector booth with my friend Linda Buckingham at the Hobby Industry of America trade convention. Sounds fun doesn't it - well the truth is, you rarely get out of the convention centre and then collapse in a heap on your hotel bed at night! The good thing though is that you get to meet up with people in the industry and see all the new products. I doubt whether we'll be able to get to Disneyland though - actually my kids would kill me if I went there without them! Apparently my 10-year-old son is "the only kid in the world who hasn't been to Disneyland"!!

This month I thought I'd share with you my cheap and easy way of making
P
lacemats and/or floor mats.

1. Visit your local carpet/flooring dealer and ask for their old samples of linoleum or end-of-rolls. The square samples they have are perfect for cutting placemats to size. Cut to size with good scissors or a sharp utility knife.

2. Prime the back of the linoleum with either BIN or Bullseye 123 (both products by Zinsser), allow to dry for at least an hour.

3. You are now ready to paint your mats with the design of your choice - the possibilities are endless - they make great gifts too!

4. For painting and stencilling ideas and techniques, please refer back to my previous tips.

November: DECORATIVE PAINTING:


Hello everybody and welcome to winter! It certainly seemed to happen very quickly didn't it? The cold temperature certainly caught me offguard - I had intended to paint the outside of my workshop but suddenly it was too cold so I guess I'll have to wait till Spring. Just as well as I probably will have changed my mind about the colour by then! (I change my mind daily it seems when it comes to favourite colours!)

Christmas is approaching extremely fast and with it comes those dreaded bills. This year, why not make your own wrapping paper, cards, gift bags, etc. A little bit of paint and some cheap paper goes an awful long way.

By the way, it's good to have Fred and Gerry back on the air don't you think?! Mind you, how come they're so cheerful at that time of the morning??

Anyway here goes with a few Christmas tips:


WRAPPING PAPER:

Go to your local paint store and buy a roll of masking paper - it comes in various widths. Roll it out onto your kitchen table, load a stencil roller with paint (remember to offload the paint onto a paper towel), take a Christmas stencil (Buckingham Stencils have a good selection - check out
http://www.buckinghamstencils.com) and go to it! This is a great project for the kids too. Masking paper is brown so maybe tie up your parcels with raffia -looks great!

CARDS
:

Call in at a local printer and see if they have off-cuts of card. Again, roller stencil some Christmas designs and add a bit of extra colour using a stencil brush. If your children are making cards, construction paper works well too. Delta Paints and Americana have good ranges of metallic paints so try some of those to add a bit of pizzazz!

GIFT BAGS
:

Craft stores sell plain brown paper gift bags to decorate and some carry fabric ones too. (My fabric stencilling instructions are here on the website). For Christmas wine bags why not ask the liquor store if you can have a few extra brown paper wine bags and decorate those. Again tie them up with raffia - makes a nice hostess gift for open houses, etc.

TABLE LINENS
:

Need a Christmas table cloth? How about buying a cheap red or green sheet and stencilling a border in gold around the edge? Make matching napkins with either paper napkins or fabric ones.

I could go on and on! The possibilities are endless - get creative!!

Mush dash - have to prepare for a couple of murals that have to be completed before Christmas. Will share that story with you next time.

If you have the time, join me in Coquitlam on December 10th for a full day's hands-on workshop - for details (or for any questions you may have) e-mail me at:

georgina@theworkshop.net

Bye for now,
Georgina

October: Hello everyone,

Hope your Thanksgiving went well - ours certainly did, we were on Saltspring Island for the weekend and I was going to say that I forgot all about anything work- or paint-related but I did happen to stencil a turkey onto a pumpkin and cut it out - I guess I can't escape!

The B.C. Fall Home Show was a success and it was great to see some "old" faces in my audiences and to heckle Fred & Gerry! Luckily they take it all in their stride! The audiences loved the plaster designs that were on display in the Paint Inspirations booth and I enjoyed demo-ing them on stage - mind you, I happened to smudge a couple as I was talking too much as usual!

Anyway I detail below the step-by-step instructions for relief (or dimensional) stencilling with plaster and look forward to chatting with you soon. Don't forget you can e-mail me with any painting questions and/or ideas at
georgina@theworkshop.net Also, scroll down for list of dates of shows and workshops.

Bye for now, happy painting!
Georgina

RELIEF STENCILLING
:

This technique provides wonderful textured patterns to walls, fireplaces, tile or even, on a smaller scale, plants pots, cupboard doors, pedestals, etc.

1. Place spray-glued stencil in place on surface.

2. Using a plaster medium such as Muralo Spackle or Adicolor's Stucco Antico, which can be tinted to the colour of choice, apply evenly across a scraper.

3. Pull the scraper evenly across the stncil - it may take two or three goes to completely fill in the cut-out.

4. Carefully lift off the stencil without smudging the wet plaster.

5. Reposition the stencil and repeat.

6. To antique the design, let plaster completely dry and then replace the stencil and sponge in colour such as teal, black or gold.

7. Alternately, glaze over the entire surface thereby blending the plaster design into the wall - very effective.

September: Hello Everyone,

Well I finally deposited all my relatives, who were here over the summer, at the airport, got the kids back to school and collapsed! Now I need a holiday! No such luck, it's back to work with a bang!

It's going to be a busy fall with lots of shows coming up (see the list below) and a few interesting projects thrown in here and there.

Right now I'm going to give you the step-by-step instructions for how to stencil fabric, be it curtains, tablecloths, pillow cases, T-shirts, etc. If you want to free-hand the fabric, just omit the stencil part of the instructions.

FABRIC PAINTING


1. Pre-wash the fabric, dry and iron to remove size and lint. (Do NOT use fabric softener, it repels the paint).

2. Secure fabric to a board or a piece of cardboard which has been pre-sprayed with stencil adhesive spray (this is low-tack and will not leave a residue on the fabric).

3. If stenciling, spray glue the back of the stencil and place where desired on the fabric.

4. Load a stencil roller or stencil brush with paint, remove the excess onto a towel and begin painting. Fabric is very absorbent so a second or even third layer will probably need to be applied. Apply the second coat before the first is completely dry.

5. For permanency, heat-set using a clean cloth and a hot iron over the design. (No steam - it will reactivate the paint). Hold iron down for about 15 seconds.

6. Avoid washing for about 2 weeks to allow paint to cure.

7. Cold water wash on gentle cycle.

Try it - it's amazing how creative you can be - makes great gifts!

To see this me demonstrate this technique, watch the VTV Breakfast Show on Friday, September 15th. For more great ideas see "Stenciling on a Grand Scale" by Sandra Buckingham, available at all good bookstores and paint stores.

Talk to you soon,
Georgina.


August: Hello to you all - hope your summer is going well.  Here on the West Coast we've certainly been enjoying some beautiful weather which is just as well with all the overseas visitors I've had this year.

Since I last "spoke" to you I spent a few days in Houston, Texas where the temperature was up to 120 degrees with the humidity factor!  Mind you, the hotel where the painting convention was held had the air conditioning up so high it was freezing!  I managed to pack a lot into the few days I was there and met up with friends from all over North America who are in the same industry.  I taught a full day's hands-on class and not one of the students was from the same part of the U.S. so there were lots of accents flying around the room!

The trade show was great - lots of new products and enthusiasm - I will be sharing some of the information with you over the next few months.

While the weather is still warm and you're able to be out of the house and have the doors open while you are home, how about getting rid of that ugly linoleum flooring the cheap way?  Although somewhat time-consuming, painting floors is much easier than you think and permanent as long as you follow these instructions:


PAINTING FLOORS

1.      Thoroughly scrub the floor to remove all dirt and grease.  A good product to use would be Benjamin Moore's M83 Degreaser.

2.      Rinse well and dry thoroughly.

3.      Prime with Zinsser's Bullseye 123.  This is an excellent primer with a fair amount of elasticity which is essential when painting lino.

4.      Now you're ready to paint with whatever colour-scheme or design you like.  Use a good quality latex paint and add a bit of interest by adding a second or third colour added here and there.  A stencil painted randomly is also an eye catcher.

5.      At least three coats of urethane is a good idea to protect your creation.

6.      Another alternative would be to use a Floor and Patio Paint which is specially designed for floors but I would add at least one coat of urethane just to be on the safe side.

Don't forget to catch me on the VTV Breakfast Show and next month I will have a full schedule of exciting shows and workshops to share with you so keep in touch! Feel free to call my studio at 604-948-0234 for more info.

Bye for now,
Georgina.


July: Hello everyone - I doubt whether many of you are into painting right now with the weather being so glorious (well at least it is as I write this!) but I thought I'd share with you my new "sky" technique. Over the years I have painted many skies but the one I just finished for a young family was probably the easiest and the most effective. Clouds when painted can end up looking cartoon-like and too whimsical this method eliminates that.


PAINTING CLOUDS

First of all paint your walls with a vibrant blue such as General Paint's "Brewster Blue" #7044M or Benjamin Moore's #1419. Let the paint cure for at least 5 days.

Then:

1. Mix 5 parts of latex glaze (I prefer Adicolor's Wet Edge Plus which is available at all General Paint Decor Stores and other selected paint stores) with one part white paint (eggshell or flat latex).

2. Dip a bunched-up rag or cheesecloth into the glaze mix and in a circular motion start wiping the glaze onto the wall. Work in about 3' sections starting each section about 1' away from the one you have just worked. To get the glaze into the corners of the walls and where the walls meet the ceiling, use a sash brush with a little of the glaze rubbed into the bristles. Continue until all walls are finished, changing your rag often.

3. When this stage is complete the room will already look cloudy - soft and "wispy". Let dry completely.

4. Now mix a glaze of 1 part glaze and 1 part paint. Dip your rag into the mix but this time take off the excess by pressing the rag onto a dry towel. Now make harder-edged clouds by patting the glaze onto the wall in cloud shapes. Do not rub the glaze this time or you will lose the cloud.

5. The combination of the two cloud techniques makes for a lovely sky. For a child's room you may then want to add some stars using stencils. Buckingham Stencils "Stars" stencil is ideal. For extra impact stencil some stars in Glow in the Dark paint - Delta brand is excellent.

I'm off to Houston, Texas on July 19th to teach at a painting convention. I hope to come back laden with new ideas!

In the meantime, try and catch me on the VTV Breakfast Show on Friday, August 4th when I will be demonstrating the sky technique.

Enjoy this lovely weather!
Georgina. 

June: Hi Everyone! Georgina here - back from a week in Montreal where my good friend Linda
Buckingham and I were there to complete a mural for Gilda's House, a place for cancer patients and their families to meet for some quiet time, guidance or counseling. Our efforts will be featured on an upcoming Painted House show with Debbie Travis so keep tuned and I'll let you know when it'll be aired. Anyway, back to business!  This month Room Service is pleased to offer you quick and easy instructions on how to create "etched" glass. This method can be applied to windows, glass doors, mirrors and, on a smaller scale, glassware.

C
REATE "ETCHED" GLASS
Step 1:

Clean your glass with a glass cleaner, rinse and dry.

Step 2:

Take a stencil of your choice or create your own using freezer paper and a utility knife.  Lightly spray the back of the stencil with repositionable stencil adhesive spray and position the stencil onto the glass. (If you are using a freezer paper stencil you will need to cut the design out directly onto the glass).

Step 3:

Using Delta's PermEnamel Glass Etching Paint Kit, apply a coat of the Surface Conditioner through the stencil and dry with a hairdryer.

Step 4:

Using a high-density foam stencil roller load your roller with the White Frost and remove the excess onto a paper towel. Now roll the White Frost through the stencil and again dry with a hairdryer.  Repeat.  Remove stencil. You have now created a perfect etched glass look with little effort. This should not be cleaned for a couple of weeks to allow the etching to cure. Should you tire of your design then simply remove with a razor blade and create a new look! If you would like to see this demonstrated - tune into the VTV Breakfast Show on Friday, July 7th where I'll be doing this project on air!
 
See you next month!
Georgina.



May: Hi everyone, good to "see" you! We finally have some decent weather upon us and with that in mind and with this season of garage sales and flea markets upon us, there are lots of interesting pieces of furniture out there just begging to be refinished. For a few bucks and some free time (I know - what IS that exactly?) turn someone's junk into a work of art. Before re-staining or painting, some pieces may just require a light sanding but some will need stripping. Paint and hardware stores carry a good selection of strippers (cue for Fred &Gerry to utter something unseemly!), some of which are more pleasing to use than others so do ask the store staff which one they would recommend.

If you have had to use a paint stripper I would then suggest washing the piece down with a TSP solution just to make sure all the grime has been removed. Then dry thoroughly and Voila you are now free to start being creative. This could take on many forms: you could re-stain (I really like using the Gel Stains by Old Masters or Varathane- they simply glide on), straight paint, create a nice faux finish or stencil - not to mention combining some of the finishes. Also, a fabulous crackle can now be achieved really easily using Adicrackle by Adicolor - this new product allows you to back roll the crackle whereas before you had to be so careful not to go over the layer you had already applied - very hard if you're not
too disciplined (like me!). Adicrackle is available at all General Paint Decor Stores.

June:
Hello everyone,

Sorry for the long silence, finding the time to sit down is proving to be almost impossible these days. To those of you who came to see me at the West Coast Women's Show, I hope you enjoyed the show and it was good chatting with you. The show was certainly in a nice venue down under the "sails" although the constant blowing of the cruise ships' horns certainly made you jump!

Since then, Linda Buckingham and I have been in Savannah, Georgia. We were invited to put on two seminars for PassageMaker magazine who have taken a keen interest in Linda's new book "Beautiful Boat Crafts". The first seminar was a little stressful to say the least. It was held in a large tent with plastic windows - the temperature was over 100 degrees and the airconditioning kept giving out! When it did work, it blew us all over the place! Also, the main part of the seminar was a fabulous slide show but we couldn't get the tent dark enough to be able to see the slides! Oh well, we made the best of a bad job and entertained everyone somehow! The following day proved to be much more under control.

Anyway, down to business. With the onset of summer we're obviously looking after outside projects and this week I've been working on a
glass patio table. The customer wanted her favourite flowers, irises, painted onto the glass table top so I thought I'd share the project with you.

1. Clean the glass very thoroughly with clean soapy water and then dry thoroughly.

2. Brush Delta's PermEnamel Surface Conditioner over the entire area. Allow to dry.

3. If stencilling, spray the back of the stencil with repositionable stencil adhesive spray and lay the stencil in place.


4. Now to paint. Delta's PermEnamel range has a huge assortment of colours and comes in either Satin Finish for Tile, Glass and Ceramic, or Transparent Glass Paint. I actually find that by mixing the two together it makes for the ideal look. The Transparent paint is very transparent so by adding in a bit of the Satin Finish it gives it a little more substance.

Load your stencil brush with some paint and remove the excess onto paper towel. Start stencilling. Build up your desired depth of colour in layers - a hair dryer will speed up the process.

If you are free-hand painting you'll probably achieve the desired depth of colour in one step.

5. When you have completed the project topcoat your design with Delta's PermEnamel Glaze.

Remember - paint takes 10 days to cure even though it will feel hard to the touch. Do not attempt to wash or wipe for 10 days. Should you tire of the design at any time, a razor blade will remove the design.

Delta's PermEnamel range is available at craft stores. Good Luck! Don't forget to e-mail me with any questions.

September: with some usefull tips

Hello Everyone, how was your summer? Mine was very busy - spent a month in England - had it in mind to seek out some decorating centres but only happened to spy them when I was flying by en route for some other destination. I did, however, come back armed with loads of decorating magazines which I will pore over when the kids are back in school and I can begin to think again!

I had heard that Britain had gone minimalist, i.e. no fuss and very pale, bland colours. I saw just the opposite - people not afraid to use lots of bold colours and to mix and match them with flair. Or is it that I just attract people with wild ideas?! (Like Fred and Gerry!!).

Before leaving for England I managed to repaint the kids' bathroom - the subdued yellow I chose turned out to be anything but subdued - you'd think I'd know by now! Moral of the story is - when choosing yellows, go way paler than you think you'd like it to end up and invariably it'll turn out to be the shade you like and can live with. Yellows, in particular, should be painted on a sample board first and lived with in different lights for a while. I'm now in the process of crackling the boring white laminate wall
cabinet and, yes, am using my favourite product Adicrackle by Adicolor available at General Paint Decor Stores.

A couple of tips for you:

1. Fall will be upon us before we know it so if you have any
outstanding outdoor paint jobs, get them done as soon as possible as we'll
soon have a heavy early-morning dew to contend with.

2. Have seen a couple of striping jobs recently that could've
benefitted from a little tip. Once you have positioned your painters tape
(I prefer Kleenedge Wet Paint Tape) in stripes on the wall, using a
high-density foam roller, seal the edges of the tape with the wall-colour
paint and let dry before fauxing, shadowing with urethane, or painting the
exposed stripe. Whatever seeps under the painters tape will then be the
wall colour so when you finally remove the tape, you will have perfectly
crisp edges.

3. If you are deciding on new paint colours for your home, do buy a
litre of your chosen colour and paint up some sample boards and place them
around the room and look at them in all lights. It's amazing how different
they will appear to be at different times of the day and under natural or
electric light. This is a much safer and cheaper way of deciding if you like
a colour than rushing out and buying a gallon of paint having chosen it from
a one-inch colour chart and slapping it on the wall! (Take it from someone
who's done it too many times!).

Bye for now and don't forget to e-mail me with any questions.
Georgina.

georgina@theworkshop.net

Spring
Well some time has passed since we last spoke and I am now the proud owner of a new computer which is already making my life a lot easier!  I must admit I developed somewhat of a mental block with regard to sitting down and typing after having been up a ladder all day or in my workshop up to my neck in paint!

Anyway, Happy New Year to everyone, let us hope its successful, peaceful and creative!

Have been working on so many varied projects that it's hard to know where to begin.  I think my favourite project lately was the 200 square foot fresco I created for a fabulous family in North Delta.

Having built their single storey (but very large!) home 10 years ago and having lived with white walls, white kitchen and white floors for all that time they decided that time was right to add some colour (I think they made the right decision!).  They decided upon 3 shades of taupe throughout the main living areas and hallways ranging from the light to the dark and a feature wall in dark green.  This is where I came in.  They had this huge monolith (white!) separating the kitchen from the family room which incorporates the gas fireplace, TV, stereo, etc. and they wanted to bring all the new colours into the monolith adding texture at the same time.  This is what we did:

Firstly I rough-plastered all the walls of the monolith with Adicolor's Stucco Antico which I had tinted to the lightest of the taupe colours.  When all the walls were covered I added some grape leaves in various sizes (the Buckingham Stencils' Grapevine stencil provides three sizes of leaves - very handy!) by troweling the plaster through the stencils.

When that had dried I "washed" the walls with a dark green glaze using a 3 to 1 mix of Adicolor's Wet Edge Plus glaze and green paint.  At this point it looked very dark which was a drastic change from the stark white.  Jack, the husband, was somewhat perturbed at this stage so I had to convince him that it would all come together and kept reminding him that these things take several stages to look right (he HAD approved the sample board by the way!).

Next day I "washed" the walls again with the two lighter taupes - now he was happier!

Then I replaced the stencil over the leaves and added some more green, dark taupe and a touch of burgundy (they like burgundy accessories) to the leaves - but VERY subtley.

Finally I took some sandpaper and rubbed along some of the plaster ridges.  By doing this you remove the glaze colours to expose the colour of the plaster - in this case the light taupe.  The overall effect is that of an aged wall which was hugely in contrast to the ultra-modern look of the original monolith.

It was a huge job but hugely satisfying and the customer was delighted!  Try it - but on a sample board first!

By the way - step-by-step instructions are available from General Paint stores in their new Great Wall Finishes collection of brochures, as are the products mentioned above.

Next time, I'll tell you how I transformed an ugly brick fireplace into a work of art!

Bye for now,
Georgina

Whatever the finish you want to achieve, do remember to read the
manufacturer's instructions carefully - they're there for a reason! Good
luck and go and create something amazing! Talk to you soon, Georgina.


My next workshops are as follows:


See you soon!
Georgina
georgina@theworkshop.net
or call 604-948-0234.


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